Giovanni Domenico Cerrini
(1609-1681), also called Gian Domenico Cerrini or il Cavalier Perugino, was an Italian painter of the Baroque period, active mainly in Rome and influenced in large part by painter of the Bolognese School. Born in Perugia, Cerrini initially apprenticed under Giovanni Antonio Scaramuccia, then in 1638 moved into the Roman studio of Guido Reni, but strongly influenced by Lanfranco, Guercino, Domenichino, and Andrea Sacchi. He was patronized by the family of Cardinal Bernardino Spada. Cardinal Giulio Rospigliosi gave him the commission to decorate the cupola of Santa Maria della Vittoria (1654-5). His style has the monumental clarity of Domenichino, but somewhat sapped of vitality. Paintings of his can be found in many of the churches of Rome, where he died, including Santa Maria in Traspontina, San Carlino alle Quattro Fontane, Chiesa Nuova, San Carlo ai Catinari, Santissimo Sudario dei Piemontesi, Sant??Isidoro, as well as in Galleria Colonna, Palazzo Spada, and the Palazzo Corsini art gallery.

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Giovanni Domenico Cerrini Apollo and the Cumaean Sibyl oil painting


Apollo and the Cumaean Sibyl
first half of 17th century Medium English: Oil on canvas Dimensions Height: 102 cm (40.2 in). Width: 135 cm (53.1 in). cyf
Painting ID::  86224
Giovanni Domenico Cerrini
Apollo and the Cumaean Sibyl
first half of 17th century Medium English: Oil on canvas Dimensions Height: 102 cm (40.2 in). Width: 135 cm (53.1 in). cyf
   
   
     

Giovanni Domenico Cerrini Allegory of Human Fragility oil painting


Allegory of Human Fragility
between 1656(1656) and 1661(1661) Medium oil on canvas cyf
Painting ID::  95887
Giovanni Domenico Cerrini
Allegory of Human Fragility
between 1656(1656) and 1661(1661) Medium oil on canvas cyf
   
   
     

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     Giovanni Domenico Cerrini
     (1609-1681), also called Gian Domenico Cerrini or il Cavalier Perugino, was an Italian painter of the Baroque period, active mainly in Rome and influenced in large part by painter of the Bolognese School. Born in Perugia, Cerrini initially apprenticed under Giovanni Antonio Scaramuccia, then in 1638 moved into the Roman studio of Guido Reni, but strongly influenced by Lanfranco, Guercino, Domenichino, and Andrea Sacchi. He was patronized by the family of Cardinal Bernardino Spada. Cardinal Giulio Rospigliosi gave him the commission to decorate the cupola of Santa Maria della Vittoria (1654-5). His style has the monumental clarity of Domenichino, but somewhat sapped of vitality. Paintings of his can be found in many of the churches of Rome, where he died, including Santa Maria in Traspontina, San Carlino alle Quattro Fontane, Chiesa Nuova, San Carlo ai Catinari, Santissimo Sudario dei Piemontesi, Sant??Isidoro, as well as in Galleria Colonna, Palazzo Spada, and the Palazzo Corsini art gallery.

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